Da Lenin a Stalin: la legittimazione di potere del leader attraverso il cinema di Michail Čiaureli
Riferimenti bibliografici
BELODUBROVSKAJA, Maria. The Jockey and the Horse: Joseph Stalin and the Biopic Genre in Soviet Cinema, in Studies in Russian and Soviet Cinema, University of Wisconsin-Madison. Routledge, 2011.
BEUMERS, Birgit. Myth-making and Myth-taking: Lost Ideals and the War in Contemporary Russian Cinema. Canadian Slavonic Papers, Vol. 42, 2000.
DANIELS, Robert, V. The Soviet Succession: Lenin and Stalin, in The Russian Review, Vol. 12, No. 3, pp. 153-172. Wiley, 1953.
ENNKER, Benno, The Origins and Intentions of the Lenin Cult, in Regime and Society in Twentieth-Century Russia, pp. 118-128. I.D. Thatcher, Palgrave Macmillan, 1999.
FERRETTI, Maria. Memoria Pubblica e Costruzione dell’Identità Collettiva nell’urss degli Anni Trenta: l’Aleksandr Nevskij, in Forma della memoria: memorialistica, estetica, cinema nell’opera di Sergej Ejzenstejn. Forum, Udine, 2009
GURIAN, Waldemar. From Lenin to Stalin, in The Review of Politics, Vol. 12, n° 3, pp. 379-388. Cambridge University Press, 1950.
KEPLEY, Vance, Jr. The First “Perestroika”: Soviet Cinema under the First Five-Year Plan, in Cinema Journal, vol. 35, n° 4. University of Texas Press, 1996.
KOTKIN, Stephen. Stalin: Paradoxes of Power, 1878-1928. London: Allen Lane, 2014.
FILMOGRAFIA
La Grande Aurora(Velikoe Zarevo), di Michail Čiaureli, Unione Sovietica, 1938
Il Giuramento (Kljatva), di Michail Čiaureli, Unione Sovietica, 1946
La Caduta di Berlino (Padenje Berlina), di Michail Čiaureli, Unione Sovietica, 1949
MERRITT, Russel. Recharging “Alexander Nevsky”: Tracking the Eisenstein-Prokofiev War Horse, in Film Quarterly, Vol. 48, n° 2, pp. 34-47. University of California Press, 1994-1995.
PIRETTO, Gian Piero. Agonia, morti e resurrezioni mediatiche del compagno Stalin, in VALLORANI, Nicoletta (a cura di), Dissolvenze. Corpi e culture nella contemporaneità. Il Saggiatore, Milano, 2009
PLAMPER, Jan. The Stalin Cult: A Study in The Alchemy of Power. Yale University Press. New Heaven and London, 2012.
STRONG, Carol e KILLINGSWORTH, Matt. Stalin the Charismatic Leader?: Explaining the ‘Cult of Personality’ as a Legitimation Technique, in Politics, Religion & Ideology. University of Arkansas at Monticello e University of Tasmania, Routledge, 2011.
TAYLOR, Richard. Soviet Socialist Realism and the Cinema Avant-Garde, in Studies in Comparative Communism, vo. 17, pp. 185-202. Elsevier, 1985.
TUCKER, Robert, C. The Rise of Stalin’s Personality Cult, in The American Historical Review, Vol. 84, n° 2, pp. 347-366. Oxford University Press, 1979.
TUMARKIN, Nina. Lenin Lives!: The Lenin Cult in Soviet Russia. Harvard University Press, 1997
WEBER, Max. Economia e Società. Donzelli Editore. Roma, 2005.
YOUNGBLOOD, Denise, J. A War Remembered: Soviet Films of the Great Patriotic War, in The American Historical Review, Vol. 106. AHR Forum, 2001.
YOUNGBLOOD, Denise, J. The Fate of Soviet Popular Cinema during the Stalin Revolution, in The Russian Review, Vol. 50, n° 2, pp. 148-162. Wiley, 1991.
ŽDANOV, Andrej. Arte e socialismo. Cooperativa editrice nuova cultura, Milano, 1970.
