Editoriale

Abstract

To that discontinuous continuum that is the ‘tradition’ of the classical world, and also therefore to the prismatic and manifold effects of its distortions, «FuturoClassico» is dedicated. It begins in the awareness that only by retracing the lights and the shadows of that tradition’s dialectic vitality can the ancient world be received in the culture of civil society as a whole, not only as a heritage jealously cultivated and protected in the restricted circles of the ‘insiders’, but also as a common good.